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Workshopping a new book project at Porto/Post/Doc, the theorist and filmmaker who diagnosed how Hollywood cinema reinforced patriarchal codes

By Ela Bittencourt

The artist’s sculpture possessed an almost surreal promise, as if at any moment it might become a Really Living Thing

By Andrew Durbin

‘Cinematic’ is often overused, but Roeg’s films showed how minds and memories wander back and forth in time, colouring our experience of the world

By Dan Fox

With a show opening at Hollybush Gardens tomorrow, the artist discusses her career addressing social and political issues through performance

By Isobel Harbison

Honey is an antidote to the norms of pop music today; a salve for the increasingly quick-hitting hooks of the streaming era

By Liz Pelly

Exotic flora and tentative ‘Afronauts’ speak to a sense of alienation, but throughout the artist’s work runs a current of optimism 

By Ian Bourland

The Athens-based artist discusses how desire figures in her new film, the relationship between writing and images and the influence her home city h

By Quinn Latimer

With a show at The Bronx Museum of the Arts, disguise, diasporic identity and dolphins collide in the New York-based artist’s work

By Hera Chan

For more than 50 years, the artist has used conceptual art to examine the inherently political nature of information

By Pablo Larios

For 112 days Sara Morawetz retraced the 2,000 kilometre journey of two 18th century astronomers, tasked with defining the length of a metre

By Tom Jeffreys

Showing at Istanbul’s Protocinema, the artist’s new film uses the ancient site of Çatalhöyük to investigate a community and its collapse

By Barbara Casavecchia

Featuring a proposal for a circular motorway around a mountain peak, the ‘weird and absurd’ work of the Russia-based artist

By Tom Jeffreys