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Gilda Williams

Everybody’s favourite underpaid, over-educated, raven-haired art critic, Rhonda Lieberman, is as relevant as ever

By Gilda Williams

Gilda Williams visits the first edition of the ARoS Triennial in Aarhus, Denmark

By Gilda Williams

A report from the 2016 edition of the Serpentine Gallery’s Miracle Marathon

By Gilda Williams
Digital rendering of Apple's under-construction 'Campus 2', Cupertino

Sea sponges, millennials and the consistent yet surprising concept of binary fluffing

By Pablo Larios

On Hal Foster's Bad New Days: Art Critcism Emergency

By Gilda Williams