Chris Dercon

In further news: Kenneth Frampton receives Golden Lion at Venice Architecture Biennale; and MoMA sues a cafe for copyright infringement

The divisive director out after less than six months by mutual consent

In further news: Gillian Ayres (1930-2018); Met appoints Max Hollein as director; Cannes announces official selection

Jordan Cronk visits Berlin’s Volksbühne and Liberté, Catalan filmmaker Albert Serra’s first large-scale work for the stage

Police end Volksbühne occupation in Berlin; Thomas Dane to open a space in Naples

The winner of this year's Palme d'Or is a fictionalized portrait of contemporary culture's new villain: the curator 

View of Volksbühne, Berlin, 1995. Courtesy: Ullstein bild/P/F/H

Jan Verwoert on friction between the creative worker and the local boardroom

Delphine Seyrig in Jeanne Dielman, 23, quai du Commerce, 2080 Bruxelles, 1975, 35mm film still. Courtesy Paradise Films, Brussels, and Marian Goodman Gallery, New York

An homage to Chantal Akerman (1950 – 2015)

Chris Dercon, Director of the Tate Modern, 2009

Jennifer Higgie and Sam Thorne talk to the new director of Tate Modern about the museum’s plans for the future

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