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Cecilia Alemani

Projects
Jon Rafman, Dream Journal, 2017, Single Channel Video. Courtesy of the Artist 

The artist will transform a gallery booth into a secret movie theater

Projects
Elaine Cameron-Weir, task-dependent conditional displays of camouflage dominated by high-copy repetitive sequences, told to, 2016. Stainless steel, onyx, laboratory hardware, sterling silver, liquid candles, mica, frankincense, sand, mortar and pestle. Overall dimensions of desk: 30 x 80 x 43 inches (76.2 x 203.2 x 109.2 cm). Photographer: Timothy Doyon. Courtesy Andrea Rosen Gallery, New York

Outside the fair, the artist will build a military-style bunker

Maria Balshaw to become new Tate director; exhibitors list announced for Frieze New York 2017; Labour MP to direct the V&A Museum

Liz Magic Laser, Push Poll (A CNN Commission), 2012 single-channel video 10 min Courtesy of the artist and CNN

With commissions by Liz Magic Laser, GCC and Giorgio Andreotta Calò

JMW Turner becomes the face of a new banknote and Cecilia Alemani is named curator of the Italian pavilion at the 57th Venice Biennale

Cecilia Alemani

Frieze Projects curator, Cecilia Alemani, on commissioning process

By Paul Teasdale

Watch a teaser of Heather Phillipson's Project for Frieze New York 2016

GCC, Inaugural Summit, 2013 Courtesy the Artists

Featuring GCC, Giorgio Andreotta Calò and Liz Magic Laser

Sounds
Giorgio Andreotta Calò, IT, 2005, intervention. Courtesy the artist

The artist evokes an imagined sound landscape that unveils structurally

Sounds
Liz Magic Laser, Push Poll (A CNN Commission), 2012 single-channel video 10 min Courtesy of the artist and CNN

Ventriloquizing the voices of Donald Trump and an investigative reporter in a philosophical dialogue

Sounds
Exosphere, 2014. Video, projector, speakers, acrylic, carpet, LED lights, fluorescent lights, reading light, fibre optic lights, lycra, plywood veneer, lacquer, MDF, brass, laser engraved crystal, turntable, embossed polyester fabric, paint, metal, polished brass strips, digital image printed on polyester transparency film, ceramic tiles, leather, frosted glass, stretched ceiling fabric.  Courtesy of the Artists.

Exploring power, imperialism and allegiance through language 

Marta Minujín, La Menesunda (detail), Instituto Torcuato Di Tella, 1965 Courtesy the artist and Henrique Faria, New York and Buenos Aires

Frieze Projects curator, Cecilia Alemani, reveals her unrealized (and occasionally unrealizable) projects