The artist brings systems of exclusion and exploitation to light at Apalazzo Gallery, Brescia

Artists from the Baltic region navigate volatile pasts and precarious presents at Kiasma, Helsinki

Scenes of an America long gone – or perhaps which never was – at MoMA, New York

Questioning the way that we interact with violent colonial histories at Portikus, Frankfurt

Questioning the hierarchy of objects and our fragmentary approach to knowledge at the Whitechapel Gallery, London

The artist investigates tensions between the sturdy and the fragile, and the public and the private at VI,VII, Oslo

The artist explores the politics of the female voice that speaks out, or is shut up, at àngels barcelona, Spain

Kapwani Kiwanga, Flowers for Africa: Nigeria, 2014, written protocol signed by the artist, iconographic documents, dimensions variable. Courtesy: the artist and Galerie Jérôme Poggi; photograph: © Aurélien Mole

At the Hammer Museum, LA, the curator casts a witty, critical eye on the vexed role of institutions contextualizing the art they display

The artist's ominous paintings suggest imminent threat and moral decline at Mead Gallery, Warwick Arts Centre, Coventry

At La Panacée, Montpellier, Nicolas Bourriaud’s manifesto for a new movement and attempt to demarcate an artistic peer group

The artist's early works amalgamate nature and technology at Andrew Kreps Gallery, New York

Images of sexual experimentation and chemical consumption recur in 'Sophie Podolski: Le pays où tout est permis' at WIELS, Brussels 


frieze video - 07 Mar 2018

Fifty years on, Ellen Mara De Wachter retraces Robert Smithson’s journey to his home town of Passaic, New Jersey, in search of the monuments of his time

Sponsored Content - 28 Feb 2018

‘A way for my subconscious to play’: With her show at Hauser & Wirth, London, Lorna Simpson talks life, work, and being an artist in these times

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