Advertisement

Reviews

A show at Max Mayer, Düsseldorf, uses typeface to pay tribute to women artists 

By Carina Bukuts

Designed in the 1930s by the city’s most celebrated architect, the building has never previously been open to the public

By George Kafka
Zilia Sánchez, Amazonas (Amazons), 1978, acrylic on stretched canvas. Courtesy: The Phillips Collection, Washington, DC

Body and landscape converge in the groundbreaking painter’s first US retrospective at the Phillips Collection, Washington, DC

By Ian Bourland
Kent Monkman, The Daddies, 2016, acrylic on canvas. Courtesy: Musée McCord, Montreal

In a solo show at the McCord Museum, Montreal, the Cree artist’s alter ego, Miss Chief Eagle Testickle, confronts the horrors of Canadian history

By Georgia Phillips-Amos

A tactile show in Berlin of the California-based painter refreshes colour-field abstraction for our digital age of infinite screen time

By Louisa Elderton

A retrospective at Kiran Nadar Museum of Art, New Delhi, showcases the forms and themes that underpin the artist’s singular career

By Skye Arundhati Thomas

The second iteration of this dynamic biennial is a mix of poignant reflection and feverish energy 

By Sophie Knezic

Two new films at the CPH:DOX festival explore climate change and collective anxiety

By Matt Turner

This annual celebration of cinema has become a vital destination for those invested in the artistic possibilities of the documentary form

By Nick Pinkerton

An exhibition at Peres Projects, Berlin, shows how society’s attitudes to sex have changed throughout the 86-year-old artist’s career

By Chloe Stead

The artist’s sculptures turn urban detritus into natural-looking forms  

By Ingrid Chu

In a show at Kasmin Gallery, New York, size reveals not the late painter’s ego, but rather his belief in personal engagement 

By Matthew Holman

Video

Frieze Fairs - 25 Apr 2019

In this series, we hear from those involved in shaping the program Frieze New York 2019

Sponsored Content - 23 Apr 2019

Ahead of his second solo exhibition at New York’s Sean Kelly Gallery, Idris Khan discusses the significance of the colour blue

On View