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Opinion

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

By Mike Pepi

Scherer’s ‘didactic operetta’ at Kinderhook & Caracas, Berlin, mimics a world of debased authority

By Stanton Taylor

From Marina Abramović to extinct tropical birds, seeing more than what’s there

By Matthew McLean

The Golden Lion-winning Lithuanian Pavilion, ‘Sun & Sea (Marina)’, crafts an endless pop song for the end times

By En Liang Khong

By Natasha Ginwala with contributions from Abdul Halik Azeez (@Colombedouin), Muvindu Binoy, Sandev Handy, We Are From Here, Imaad Majeed and Pushpakanthan Pakkiyarajah

By Natasha Ginwala
Mariko Mori, Tea Ceremony I, 1994. Courtesy: Sean Kelly, New York and SCAI the Bathhouse, Tokyo

How cyborg identities have empowered women to challenge societal norms

By Yae-Jin Ha
Edward Kienholz, The Eleventh Hour Final, 1968, multi-media. Copyright Kienholz. Courtesy: © the artist and L.A. Louver, Venice, CA

‘Past is prologue’ in two shows at the Smithsonian American Art Museum, following the 50th anniversary of the Tet Offensive

By Ian Bourland

A new book by Jay David Bolter chronicles the demise of cultural gatekeeping

By Houman Barekat

The collateral exhibitions at the 58th Venice Biennale tackle social issues from class to surveillance

By Sean Burns

The best of the off-site and collateral exhibitions during the 58th Venice Biennale

By Pablo Larios

The strongest exhibitions in the 58th Venice Biennale find creative freedom in failure 

By Evan Moffitt

From demanding choreographies to ‘the sea of our subconscious’, further highlights from the National Pavilions in the Giardini

By Amy Sherlock

Video

Sponsored Content - 22 May 2019

The sculptor’s latest work, STAND (2019) is an addition to the civic space surrounding the Philadelphia Museum of Art

LIFEWTR lounge at Frieze New York 2019

Sponsored Content - 17 May 2019

‘If we can touch one more person through what artists are doing with that medium, that’s incredibly important’ 

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