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Meinung

Love, betrayal and grief: the late Cuban artist’s first US museum retrospective reveals the full range of her powers

By Natalie Haddad

At last, MoMA has restored the dancer, choreographer and filmmaker’s 1980s classic

By Andrew Durbin

When more photos are uploaded to Instagram every single day than existed 100 years ago, there is solace in blankness

By Orit Gat

Lu’s detention has elicited moderate international concern, in stark contrast to the general indifference to the targeting of Uyghur artists in the

By Nick Holdstock

Artist Jonas Lund has created a Cambridge Analytica caricature, ‘Operation Earnest Voice’, with one simple mission – but how serious is his ‘leftis

By Nathan Geyer

In the vast greenhouse complex, goths, art kids, academics and patrons gathered to witness an allegorical spectacle

By Bradford Nordeen

Alfonso Cuarón’s Roma is full of other movies, yet it ignores the political and dialectical history of movies themselves

By Masha Tupitsyn

The demise of HMV can be mourned as the decline of owning tangible media – but something greater is at stake

By Adam Harper

The avian playground was a manifesto for a modernism that could employ gymnastic engineering to theatrical effect – what happens with its inhabitan

By Douglas Murphy

Narratively, the ‘choose your own adventure’ film is a dead-end, with repetition and wheel-spinning increasingly producing frustration

By Vadim Rizov

Director Yorgos Lanthimos does away with the prudish niceties of the Merchant Ivory format with satisfying energy

By Ian Bourland

A new biography of Philip Johnson reveals the contradictions and ambiguities of the world’s first ‘starchitect’

By Gillian Darley