A symposium exploring the legacy of Bauhaus across art, design and architecture
Bauhaus - 100 years on takes place 2 June 2018. Tickets are available now.
Ahead of the Bauhaus centenary in 2019, we are delighted to present a symposium debating its enduring legacy across art, design and architecture. Hosted by design historian, curator and writer Emily King, this symposium will explore the contemporary reception of this eminent – but often misrepresented – cultural movement.
What does the term ‘Bauhaus’ mean to a contemporary audience? Has it simply become a label, with all context lost? What impact has it had, and does it continue to have, on the creative lives of artists, designers, architects and even on how art is taught?
This day is for anyone who wants to deepen their understanding of Bauhaus across all mediums, or for creative professionals who would like to explore the contemporary re-contextualisation of Bauhaus by hearing from expert practitioners.
Michael Craig-Martin is a key figure in British conceptual art. He taught at Goldsmiths College School of Art, London, from 1974 to 1988 and from 1994 to 2000. During this time, he became a powerful influence on a generation of his students who would become known as the Young British Artists—Gary Hume, Sarah Lucas, and Damien Hirst, among others. Craig-Martin was an Artist Trustee of Tate from 1989 to 1999 and was elected to the Royal Academy in 2006.
Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and founder and president of Le Korsa, a nonprofit organization in rural Senegal. He has written fifteen books, including biographies of Balthus and Le Corbusier, and, most recently, Freud's Trip to Orvieto; his current project is a biography of Mondrian.
Catherine Ince is Chief Curator of V&A East, a new museum and collection research centre due to open in 2023. Previously, she was a Curator at the Barbican Art Gallery where she organised major survey exhibitions and publications including The World of Charles and Ray Eames (2015), Bauhaus: Art as Life (2012), and Future Beauty: 30 Years of Japanese Fashion (2011). During her time as the Co-Director of the British Council’s Architecture, Design and Fashion Department she was responsible for the British Pavilion at the Venice Biennale of Architecture.
Emily King is a design historian, curator and a writer. Her books include monographs on Peter Saville, M/M Paris and the legendary 1950s art director Robert Brownjohn. Among her recent exhibitions is Quick, Quick, Slow: graphic design and time, which she curated for the Lisbon design biennial Experimenta, as well as monographic shows on Alan Fletcher and Richard Hollis.
Farshid Moussavi is principal of Farshid Moussavi Architecture and Professor in Practice of Architecture at Harvard University Graduate School of Design. She was previously co-founder of the London-based Foreign Office Architects, recognised as one of the world's most creative design firms. She is a trustee of the London Architecture Foundation and the Whitechapel Gallery and a Royal Academician. She has published three books, The Function of Ornament, The Function of Forms, and The Function of Style.
We offer a number of complimentary bursary places on this course for the unwaged, students and pensioners. If you would like to apply, please send one paragraph explaining why you believe you qualify and why this specific course is of interest to firstname.lastname@example.org. The application deadline is 1st May and successful applicants will be notified by 10th May.